I am a commercial photographer and filmmaker specialising in expertly crafted, documentary styled imagery firmly grounded in realism.

Portrait of Wren Steiner in tram

Adina Hotels
Alliance Francaise
Boom Logistics
Burbank Homes
Chisholm College
Coach
Coco Tours
Cotton On
Dulux
Dyson
Energy Safe Victoria
Federation Square
Forbes Asia
Flare HR
Grolsch
Grand Hyatt Hotels
Heineken
Hilton Hotels
Intel
ISPT Melbourne
Japara Healthcare
Kincaid Construction
Leaselab
Levande
L’Oreal
Melb City Council
Melbourne Uni
Metalicus
MCEC
Milwaukee
Mitsubishi
New Balance
NGV
Nike
Norby
Oomf
Politix
Puma
REA Group
Rinnai
Stockland
Supre
Toyota
Vincent Li
Vic Homes
Werribee Zoo
Westin Hotels
Whitehorse Council

Drawing from my documentary background, I possess the skill to capture the often-overlooked essence of a moment, a quality that I leverage to create work that not only communicates truths but also forges deeper connections.

I approach my work thoughtfully and practically. My affable and unpretentious nature, coupled with an unwavering dedication to my vocation, instills confidence and brings out the best in the creatives I collaborate with.

I closely collaborate with agencies, productions, and brands to ensure my work aligns with their specific needs. Currently, I reside in Melbourne, Australia, with my partner, children, an appreciation for bespoke woodwork, and the occasional nip of single malt.

PREVIOUS CLIENTS

MY WORKING PHILOSOPHY

Set the right tone.

Creating the right working atmosphere is important, whether working with clients, project managing or directing on set, I always see the benefit of working with others and value all opinions.

A real respect for photography.

My documentary-style background enables me to capture images that are a true expression of a moment, something that’s often missed in modern commercial photography.

Less doesn’t mean less quality.

By taking a discreet and unobtrusive approach, I create a world that isn’t artificial or overworked, an immersive world where the audience can focus on the story and not the effects.

Real stories can’t be ignored.

By creating stories, we're learning, understanding, and empathising with the subject, creating deeper more profound connections.

I see the job through.

I’m not just the guy behind the camera, whether I’m leading the project or coming in as the expert, I always shoot with intention and I’m onboard from start to finish.